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Panterra Event Productions
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Looking up a ground support truss grid into cloud
02 / Services

Services

We cover the whole technical side of an event: we deliver, rig, work the show and strike. You can also take a single part, lighting only or staging only.

The park is listed below by discipline.

The park lists below are taken from the 2018 inventory. We send a current specification with quantities for the specific project.

A row of High End Systems Showbeam fixtures on their flight cases, beams already firing
Medeu · Almaty · 2008
01 / Lighting

Lighting

Moving heads, statics, followspots and light balls. High End Systems Hog III and Hog IV consoles with processors. We program the show in advance and send an operator with the package.

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The park
  • Moving headsClay Paky Alpha Spot 1500 HPE, Alpha Profile 1500, Alpha Beam 1500, Sharpy, Shotlight Wash 1500, A.leda Wash K10; High End Systems Showgun 2.5, Showbeam 2.5, Cyberlight 2.0, Studio Xspot 700, Studio Beam 700
  • ConsolesHigh End Systems Hog IV, Hog III, DP 8000 and DP 2000 processors
  • StaticsMartin Atomic 3000, Eurolite blinders 2×650, 4×650 and 8×650 W, ARRI Daylight 5000
  • FollowspotsRobert Juliat Cyrano 2500 W, Clay Paky Shadow QS-LT 1200 W
  • Light ballsSolyarc Air Star 3.7 m and 6 m
Where you can see it
All work with this service
Blue and green beams crossing over a silhouetted crowd, truss visible overhead
Close-up of moving heads lined up on a barrier, lenses toward the camera
A daylight stage build: PA stacks, truss roof, scaffold seating
Medeu · Almaty · 2008
02 / Sound

Sound

An L-Acoustics KUDO line array with SB218 subs and LA8 amplifiers. That package covers both a hall and an open site. The microphone park is built from Sennheiser, Shure and AKG.

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The park
  • PAL-Acoustics KUDO ×48, SB218 ×32, 115XT HiQ ×20, LA8 amplifiers ×28
  • ConsolesYamaha PM5D, Yamaha M7CL, PreSonus StudioLive 24.4.2
  • Wireless and microphonesSennheiser G3 300 series, Shure Beta 58, SM58, SM57, SM81, PGX4, AKG C451B and C411, Sennheiser Drum Set 600 series
  • Monitoringin-ear systems, ART DI boxes
  • DJPioneer DJM-2000 nexus and two CDJ-2000 nexus, Numark CDN 88 Pro
Where you can see it
All work with this service
Speaker stacks against scaffold and truss towers, shot from a low angle
The production desk with monitors, looking down the red carpet toward the main stage
Three LED walls with blue and gold content inside the tented arena, a full house
Nauryz · Astana · 2015
03 / Video and LED

Video and LED

A Gloshine P5 LED screen for outdoor and indoor use, 140 m² in the park. Christie projectors at 20 000 and 30 000 ANSI work on facades and on large screens. Catalyst and Light-Converse media servers hold the content and the mapping.

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The park
  • LEDGloshine P5, indoor and outdoor, 140 m²
  • ProjectorsChristie Roadster S20K SXGA 20 000 ANSI, Christie Roadie HD+ 30K, Roadster lenses for throws from 0.67:1 to 7.3:1
  • ControlCatalyst PM V4 DV and Light-Converse media servers, LED processors, Analog Way Pulse2
  • Screensfront and rear projection up to 14×8 m, a holographic screen 3×4 m
Where you can see it
All work with this service
Wide LED walls in magenta and red at Ak Orda, crowd silhouettes in front
A large side screen beside the beam-lit main stage
A full main stage in daylight: truss roof, flown PA, lighting grid, with people walking past for scale
Khan Shatyr · Astana · 2010
04 / Truss and stages

Truss and stages

We build stages, roofs and ground supports on EuroTruss. The park holds 101×76, 52×52, 50×60 and 35×35 sections in lengths from 1 to 4 metres. We lift with 1 and 2 tonne hoists.

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The park
  • Truss101×76, 52×52, 50×60, 35×35; corner blocks 60×70 and 40×40
  • Bases, tops, spacers and blocks for every section
  • Hoists1 tonne ×36, 2 tonnes ×8, manual ×12
Where you can see it
All work with this service
A stage roof mid-build: truss grid with fixtures rigged, ground support towers
A truss stage structure lit from within at night, side towers and PA
Green laser sheets over a dense crowd, content running on the stage screen
Event Arena · 2015
05 / Special effects

Special effects

Lasers, fog, confetti and water. Glaciator X-Stream low fog lies across the stage instead of rising into the rig. A water screen takes projection straight onto water.

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The park
  • Lasers5000 mW green, RGB, a mirror set and control
  • Fog and airGlaciator X-Stream, DF 50 hazers, High End Systems F-100, JEM fans, Wind 1500 wind machines
  • Launch effectsconfetti, foam, snow, rain, bubbles, silk, tubes
  • Waterwater screen, 3 sets
Where you can see it
All work with this service
A line of pyrotechnic fountains firing off a water stage, reflections on the river
Green and blue lasers converging on the stage over the front rail
A firework burst over the river
A green laser beam sweeping over the crowd toward the DJ stage
A bare geodesic dome frame at golden hour beside a finished clad dome
Astana · 2014
06 / Domes

Domes

We put up geodesic domes, tented arenas and hangars. A dome becomes a stage, a hall or a pavilion on an open site. Inside it we rig the same lighting, sound and video.

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The work
  • Geodesic domes for events and exhibitions
  • Tented arenas, including our own Event Arena
  • Hangars and temporary structures
  • Full cycleengineering, rigging, on-site service, strike
Where you can see it
All work with this service
A large clad dome with a spire against a big cloud sky, vehicles and crew at the base
Inside a dome during an event: patterned membrane panels, rigged fixtures, a crowd below
A dome cluster on the left bank with Khan Shatyr behind
An arch hangar structure on site with shipping containers and mountains behind
Two line array hangs being flown from truss while the crew works below in hard hats and hi-vis
Load-in · from the archive
07 / Rigging

Rigging

Our own rigging crew. Rigging points and hardware, ground supports, flying line arrays, cable runs and patching. We work to the venue's schedule and hand the site back after strike.

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What is included
  • Rigging hardware1 and 2 tonne chain hoists, manual chain blocks, slings and rigging hardware
  • Structuresbuilding stages, roofs and ground supports on truss
  • Patchingcable runs, distribution to each position, testing before rehearsal
  • Handoverstrike and returning the site to its original state
08 / Equipment supply

Equipment supply

Besides rental we select and supply equipment for what a venue needs. We agree the specification, deliver the package and commission it. This sits next to rigging: a venue more often needs a permanent installation than a one-off rental.

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What is included
  • Selectionitems chosen for the format of the venue and for the work it will cover
  • Specificationa list of models and quantities, agreed before purchase
  • Deliverydelivery, installation and commissioning of the package
A truss stage under assembly with Khan Shatyr behind it
09 / Process

How a project runs

  1. 01
    Brief

    Venue, date, format, guest count.

  2. 02
    Specification and quote

    Equipment package, rigging crew, schedule.

  3. 03
    Load-in

    We arrive early, build, test and rehearse.

  4. 04
    Show

    We work the site with our own crew.

  5. 05
    Strike

    We take it down and haul it out.

The full list of questions behind a quote sits on a separate page: the project brief.

Open the brief

Tell us the venue and the date

Send us the venue, the date and the format. We will price the equipment package and the crew, and give you a figure.

Request a quote